This is demonstrated through various dramatic techniques. Our bodies are our gardens, to the which our wills are gardeners.” Here, we see Iago’s fundamental philosophy: he believes that the human will is a gardener, and that the human body is a garden. His is the longest part with 1,070 lines. Without these traits Iago would no longer act like a sociopath and therefore he would no longer be the antagonist. His fate is left in Cassio’s hands. Psychoanalysis of Iago. Psychoanalysis strove to comprehend creativity in human subjectivity towards whose analysis psychoanalysis could make its specific contributions about sublimation, repressed memory, anxiety, defence, eroticism, delusion and above all the coded structure of psychic representation by displacement and condensation, metonymy and metaphor, in the dream which, with the … Othello: The Tragedy of Iago. Please Sign Up to get full document. The whole doc is available only for registered users OPEN DOC. the whole thing. 2, pp. Psychoanalysis of Iago Essay Desdemona after leaving her father to be with Othello and accompanying Othello on his voyage to Cyprus has had a similar motivation throughout the piece. Skip to Main Content. Othello: The Tragedy of Iago. Knowing that Othello wholly believes him to be a good man, Iago manages to torture Othello’s mind to the point of submission and have him kill Desdemona. The id is the primitive side of your mind. Home All Journals The Psychoanalytic Quarterly List of Issues Volume 19, Issue 2 Othello: The Tragedy of Iago Search in: Advanced search. Although she may not be fully cognizant of it, … (1950). so that the lieutenant will be disgraced in Othello’s eyes and Iago … 2, pp. Shakespeare explores the human experience through Iago’s jealous actions and sets us up for an inevitable tragedy. In Othello, Iago is the offspring of a marriage between self-involvement and ego. The different gradations of status embedded in the text are often represented in military terms, with Iago presented as a rough-speaking non-commissioned officer, resentful of Cassio’s rank and courtly manners. Viewing the character of Iago from an analytical point of view shows Iago exposing himself to be a psychopath. Iago is the story’s main villain; he is the play’s dealer of despair and disparity, causing rifts in the lives of the other characters. All in all, Iago is a tremendously narcissistic character who is driven by ego and powered by self-absorption. Contains textual and video analysis plus a psycho analysis of Iago's character. 19, No. He believes he is responsible for his plants, and that is why he chooses to poison his garden and subsequently annihilate it. … Using psychoanalytical perspective the reader can determine the significance of the handkerchief that Othello has given to Desdemona. No, my heart is turned to stone,” (Act 4, Scene 1). I've always loved the non-traditional theory of Iago is a homosexual in love with Othello, which becomes the motivation for all he does. Iago, who is an accurate portrait of a psychopath. Psychoanalysis of Iago. Othello: The Tragedy of Iago. I love Iago; he's such a layered and rich character- perfect for analysis. Iago is a man with an obsession for control and power over others who has let this obsession take over his whole life. Given all of this, it is not incorrect to deem Iago a narcissist, at least in the Freudian sense. The Moor of Venice not only achieved high status in a short time but also brought his trusted lieutenant Iago along with him. It appears that Iago has succeeded in this task. Created by the Institute of Psychoanalysis, Iago on the Couch is the first of a series of filmed discussions exploring some of Shakespeare's most complex and compelling characters. A psychoanalytic reading of the first three acts of the play gives us a clear understanding of the text. Throughout the plays run Iago puts forth a facade, making himself seem trustworthy in order to . Iago's rage against female sexuality may therefore be just one example of his spiteful attacks on ‘otherness’ to soothe his sense of … Easy Narrative Research Paper Topics. He says, “Demand me nothing. Pages: 4 Words: 874 Views: 2. Using psychoanalytical perspective the reader can determine the significance of the handkerchief that Othello has given to Desdemona. Iago speaks privately with the audience, propels the story, and drives Othello to the brink of madness. Read More. We see how he projected an overwhelming amount of jealousy he had for Othello on to him, and even though he thought he was in control of the situation and that he would come out on top, it led to both of their demise. It is said that case should be read two times. This view also draws on Klein, though on the concept of splitting rather than the death instinct. Saturday, November 9, 2019. The one man who survived Iago's attempt to kill him, Cassio, is the only major character left standing at the end of the play. Initially, fast reading without taking notes and underlines should be done. Psychoanalysis Of Iago : Inside The Mind Of Shakespeare 's Greatest Villain Essay. The lens prescribes that narcissism draws from emotional immaturity and involves excessive self-esteem and self-involvement. in Iago's lies that he refuses to believe Desdemona when she denies . In his soliloquies that take the audience into confidence, Iago … Othello is so caught up . (1950). Cassio, Othello, and Iago and each one of them has their own specific motivation in this scene.Iago being the main focus in this scene all of the characters play a certain role. It is also a means of male-bonding and the homo-social desire that excludes women in this particuliar environment. Earlier on the play, Shakespeare painted Othello and Desdemona’s bond as one of unequivocal love. As demonstrated in the quote, Iago believes that his qualifications trump Cassio’s. The character Iago is very much a sociopath. Desdemona after leaving her father to be with Othello and accompanying Othello on his voyage to Cyprus has had a similar motivation throughout the piece. Iago’s Role in the Play . Going back to act 1, scene 3, Iago says: “Virtue? Shakespeare to add depth to his villain makes him amoral, as opposed to the typical immoral villain. Book: Othello. Iago resents Cassio, a man with ‘a daily beauty in his life’ (5.1.19), hates being tied to Othello’s service and yearns for preferment. I know not if ‘t be true, But I, for mere suspicion in that kind, Will do as if for surety.” Now, Iago claims that his disdain for Othello is a product of Othello’s supposed affair with Iago’s wife, Emilia. Othello Scene 3 Rhetorical Analysis. In William Shakespeare’s play, Othello, the character Iago lacks a superego which allowed his id to run free and this caused him to lack any form of sympathy and to become a sociopath. Iago’s behavior can be examined through a psychoanalytic lens. Psychoanalysis can support a view of Iago’s evil as deeply contingent and bound up in a relational history and narrative, a narrative that can indeed provide a motivational base. Shakespeare suggests that Iago is non truly a adult male. Later on, in scene 3 of the same act, Iago says, “I hate the Moor, And it is thought abroad, that ‘twixt my sheets/ ‘Has done my office. Iago can use the weakness of the characters to set up scenes, and earns himself the title “The Honest Iago.” Consequently, psychopaths act as pleasurable people, but in reality, they are different in private. One perspective, the psychological approach, deals with interpreting the text by using what is known about psychology. Necessity forces his hand, and, in order to destroy Othello, he must also destroy Roderigo, Emilia, Desdemona, and ultimately himself. Iago starts off being evil when he finds out that Othello gave Cassio the position of lieutenant that he felt he deserved. Iago’s garden is of course the characters in the play, all of whom fall to his unmerciful rake. V.516, 1885–7. The metaphor of Othello and Desdemona as ‘well tuned’ string instruments (2.1.191–92) portrays their current harmony but also implies their vulnerability: it is not difficult for Iago to ‘set down the pegs’ … Iago’s psychology is like that of an addictive gambler: he doesn’t gamble in order to make money or to cause misery in those he bests; he gambles in order that there be gambling in his life — he values the activity, not its effects. The DSM 5 describes this trait as “indicated by repeated lying, use of aliases, or conning others for personal profit or gain”. This led to him hurting everyone he could and to his eventual downfall. Please Sign Up to get full document. Iago is smart enough to use other people’s actual weaknesses and to let them draw wrong conclusions themselves. The psychoanalysis of the characters from Othello allowed me to understand the way Desdemona acted throughout the play and how come she took the abuse that Othello gave her. 202-212. By doing this the reader can tell immediately that Iago believes that he is “above” Desdemona. One of Freud’s fundamental conjectures about narcissism was that it stemmed from emotional immaturity. Therefore, using their emotions to enable the manipulation easily. 4.2 Paul Ce´zanne, Madame Ce´zanne in a Yellow Chair. Indeed, Coleridge's claim that Iago's final soliloquy is best understood as "the motive-hunting of motiveless malignity" (1:49) remains one of the most quoted assessments of Iago to this day. William Shakespeare’s acclaimed play Othello gives us the exemplification of a man with a propensity for narcissism: Iago. Then, a very careful … Yet in developing his thesis, Stempel does much to explain the psychology of Iago. V.570, 1893–5. In other words, the very essence of Iago’s plot is disjointedly self-centered: he is unable to accept the fact that he is not Othello’s new lieutenant. … Access Full Document. What you know, you know. 202-212. Iago sees himself as the gardener. 202-212. Iago is already captured. Its only purpose is to seek out and obtain pleasure. The Psychoanalytic Perspective in Relation to Iago Essay Sample. Iago gives the reader a warning that he is non all that he seems when he says. The id Will do anything it has … The id is the primitive side of your mind. 2, pp. In the beginning of the play Iago takes great care to make Othello jealous. Iago Iago Motivations One of the first reasons Iago gives for hating Othello is that the latter passed him over for promotion in favour of Cassio, a mere ‘counter-caster’ and a man with far less experience in the field of battle than Iago. Under Iago’s administration, Othello falls from his honor as he says “Ay, let her rot, and perish and be damned tonight, for she shall not live. Page: 1 of 2 She serves no purpose to him anymore and she can now only hurt his chances of keeping the position he has been given by Othello. 202-212. The play by William Shakespeare includes the character of Iago. some views of scholars on psychoanalysis of Othello. He portrays himself as Othello’s loyal and trusty ensign as opposed to his existent immorality and arch nature. Iago is speaking to Cassio who, in spite of being an officer and a gentleman, cannot hold his drink; nevertheless, the association of drink and masculinity is viewed as a necessary military- social asset. I Know Your Greatest Flaw Without Ever Needing to Meet You, Stop Planning, Start Behaving: The Art of Synergistic Existence, What the demand for Justice says about the right way to live, Why Science Should Stay Clear of Metaphysics, Why Stoics Think Schadenfreude is Treacherous (Even if The Person is Evil). Iago manipulates Othello and preys on his gullibility to convince him that Desdemona, his wife, is cheating on him. The fact is that Iago would have no power over Othello were Othello not in love; Iago’s destructiveness can … Psychoanalysis can support a view of Iago's evil as deeply contingent and bound up in a relational history and narrative, a narrative that can indeed provide a motivational base. A fig! Access Full Document. At this point, Iago has supplied two incongruous justifications for his vile actions. Please Sign Up to get full document. 19, No. 16,890 psychoanalysis stock photos, vectors, and illustrations are available royalty-free. Whether it be the constant usage of the word “I” or his brash, uncomfortable language, Iago is always portrayed as one embroiled in his own devices. Psychoanalysis of Iago: Inside the mind of Shakespeare’s greatest villain Manipulation is a social influence that works by deceiving people to see a different point of view. Saturday, November 9, 2019. … A person who is emotionally immature is unable to defeat their negative feelings; they are petty and shrouded by malevolence. Iago's merciless taking of Emilia's and Roderigo's lives is another proof … 112 5.1 Yayoi Kusama with Infinity Net, 1961. Emilia is a stumbling block in front of his path. prowess which enables him to bend and twist the supple minds of his . He lacks sympathy for others and will take advantage of them given the … To effectively manipulate one must know the weakness of the targeted person. Iago's envious depiction of Cassio as 'handsome' and 'young', while assigning him his own character traits – 'a knave', 'the mere form of ... seeming' (2.1.227), 'a finder out of occasions' (2.1.229–30) – implies he has a jealous nature. For Iago jealousy played on the trust he … The whole doc is available only for registered users OPEN DOC. Iago on the Couch sees four pre-eminent figures in the theatrical and psychoanalytic fields engage in discussion about the richly enigmatic character of Iago from Shakespeare's Othello . One of the best-argued essays on Iago-as-Machiavel is that of Daniel Stempel, who depicts Iago as the Jesuitical Machiavel, a popular combination the Elizabethans conjured up against the Papacy. Othello: The Tragedy of Iago. Iago is speaking to Cassio who, in spite of being an officer and a gentleman, cannot hold his drink; nevertheless, the association of drink and masculinity is viewed as a necessary military- social asset. Shakespeare explores the human experience through Iago’s jealous actions and sets us up for an inevitable tragedy. Cassio, Othello, and Iago and each one of them has their own specific motivation in this scene.Iago being the main focus in this scene all of the characters play a certain role. 202-212. The Psychoanalytic Quarterly: Vol. as he cleverly disguises his true nature behind a mask. STEP 2: Reading The Psychoanalysis Of Iago Harvard Case Study: To have a complete understanding of the case, one should focus on case reading. Home All Journals The Psychoanalytic Quarterly List of Issues Volume 19, Issue 2 Othello: The Tragedy of Iago Search in: Advanced search. Othello Scene 3 Rhetorical Analysis. 19, No. Please Sign Up to get full document. Iago is a man with an obsession for control and power over others who has let this obsession take over his whole life. Access Full Document. However, such a villain would distract from the impact of the play and would be trite. He kills her not as much out of anger but for pragmatic reasons. Initial reading is to get a rough idea of what information is provided for the analyses. The Psychoanalytic Quarterly: Vol. From the beginning of the play until its terrifying end, Othello is the violent warrior who loves death more than he loves love. Iago refers to Desdemona, daughter of Brabantio, as a ho, or prostitute. It appears that Iago has succeeded in this task. 19, No. Writing tips and writing guidelines for students,case study samples, admission essay examples, book reviews, paper writing tips, college essays, research proposal samples Achetez neuf ou d'occasion While that may be true, he is incapable of coming to terms with Othello’s decision and does not realize nor consider the fact that Othello may have based his judgement on other qualities. His plan has been foiled, though one of his intentions- to ruin Othello’s life- has been fulfilled. In act 1, scene 1 of the play, Iago tells his friend Roderigo: “But he, sir, had th’ election; And I, of whom his eyes had seen the proof/ At Rhodes, at Cyprus, and on other grounds/ Christened and heathen, must be beleed and calmed/ By debitor and creditor.” The “he” Iago speaks of is Michael Cassio, who usurped Iago to acquire the position of lieutenancy from Othello. Iago is deeply bitter about this and says that he hates Othello as he does ‘hell’s pains’. V.694, 1896. Iago, in his nefarious glory, manages to transform Othello’s love to hate. Trouvez les parfaites illustrations spéciales Psychoanalysis sur Getty Images. A psychoanalytic reading of the first three acts of the play gives us a clear understanding of the text. This one item was given to her before they married, and she should never be without. As the famous idiom goes, though, “an excess of anything is bad”. Initial reading is to get a rough idea of what information is provided for the analyses. Try these curated collections . Excessive self-esteem suggests straying from confidence and delving into egotism. Standing alone, having high self-esteem is favorable- it means that a person has a positive evaluation of his or her own emotional self. Log in | Register Cart. In the beginning of the play Iago takes great care to make Othello jealous. Iago speaks privately with the audience, propels the story, and drives Othello to the brink of madness. In William Shakespeare’s play, Othello, the character Iago lacks a superego which allowed his id to run free and this caused him to lack any form of sympathy and to become a sociopath. The one man who survived Iago's attempt to kill him, Cassio, is the only major character left standing at the end of the play. Log in | Register Cart. Through this psychoanalysis we have a greater understanding of Iago’s motivations and unconscious desires. 96 4.3 Paul Ce´zanne, Portrait of Joachim Gasquet. While self-esteem on it’s own allows one to carry his or herself with poise, overdosing on it leads them to see themselves as above those around them. Noté /5. But, perhaps, the ensign’s most underrated and constant victim is his wife, Emilia. Once Iago generates suspicion in Othello, he reads Desdemona’s words too deeply and finds hidden meanings that Desdemona did not intend. Iago, in the play Othello, is a very intriguing villain. This … He also tried to justify his actions throughout the play to … When Iago says, “For I am nothing, if not critical” [II:i], this may be taken literally: He is divided against himself. The fact is that Iago would have no power over Othello were Othello not in love; Iago's destructiveness can … Freud also theorized that excessive self-esteem is a component of narcissism. A psychoanalytical approach to Othello Iago’s quest for influence Insecurity and failure The significance of dreams A psychoanalytical critic would focus on the inner realms which propel a character to act in a certain way. The term “narcissism”, which means to be excessively or erotically interested in oneself, is derived from Narcissus’ story. He is seen to be emotionally immature at the beginning of the play, as he discloses two equally petty but incongruent reasons for disliking Othello. For the knowing audience, Iago sometimes seems to be brazenly honest with others while his utterances are simply being misunderstood because of his good reputation, that is again other people’s views on him. Psychoanalysis of Iago. Necessity forces his hand, and, in order to destroy Othello, he must also destroy Roderigo, Emilia, Desdemona, and ultimately himself. Iago on the Couch: Trailer. Even though he is often referred to as "Honest" Iago, he lies, cheats, steals, bullies, and even kills just to get what he wants (Iago as 1). She does exactly as Iago wants as she promises Cassio that Othello “shall never rest” until he has granted his suit and that she “shall rather die/ Than give [his] cause away” (III, iii). Much credit must be given to Iago's diabolical . With his ego illuminated and his excessive self-involvement in full display, Iago remains the consummate villain in the play. On top of that, rumours swirled around that Othello and ’Tis in ourselves that we are thus or thus. but … Video Games And Its Effects On The World Essay, My Grandmother 's Parents On My Dad 's Side Essay, The Great Depression Was An Awful Time Essay. Pollock / Psychoanalysis and the Image 1405134607_3_posttoc Final Proof page vii 13.2.2006 11:06am. The Psychoanalysis of Othello & Iago The Personality of Iago The Housewives The Personality of Othello Iago's motivation to ruin Othello's life stemmed from Othello gaining a promotion over him in favor of Michael Cassio. Iago’s psychology is like that of an addictive gambler: he doesn’t gamble in order to make money or to cause misery in those he bests; he gambles in order that there be gambling in his life — he values the activity, not its effects. Iago is a direct cause for most of the events in the novel such as Othello becoming suspicious of Desdemona or the deaths of some of the characters. Iago makes it clear that his object is discord. Skip to Main Content. The villain Iago from "Othello" is a central character, and understanding him is key to understanding Shakespeare's entire play. 2 pages, 995 words. Thus, Iago’s jealousy and gratuitous hate for Othello stem from him being overlooked. As such, Iago can be scrutinized through a psychoanalytic lens to reveal his standing as a narcissistic character. All in all, Iago is a tremendously narcissistic character who is driven by ego and powered by self-absorption. This led to him hurting everyone he could and to his eventual downfall. These are excellent for reading the play or discussing Iago as a character in the play. Analyzing the character through a Freudian psychoanalytical lens reveals this: he is emotionally immature, excessively self-esteemed and very self-involved. 19, No. who was detecting Cassio’s enthusiastic salutation of Desdemona. Iago's hatred for Othello is also shown in this scene as he described it with hell's pains, this means that, for him to be able to mask these intense emotions and get Othello to have such a great amount of trust in him makes Iago truly brilliant. Its only purpose is to seek out and obtain pleasure. having an affair, without any concrete proof. of 169. beard doctor crazy funny psychiatrist subconscious cope inner soul funny patient psychologist vector earth photography hypnotized person psychology color. Iago sees his wife as an obstacle and a nuisance so he kills her. Much has been written about the torment many suffer at the hands of Iago in William Shakespeare’s Othello. The id Will do anything it has … It is said that case should be read two times. He declares that he will not explain himself; he asserts that he will never speak again and refuses to answer any questions. Iago’s actions are constantly manipulative, self serving, and often proving harmful to others. We may classify Macbeth as irrevocably evil, but his weak character separates him from Shakespeare’s great villains—Iago in Othello, Richard III in Richard III, Edmund in King Lear —who are all strong enough to conquer guilt and self-doubt. He will do whatever it takes to get what he desires, even if this means completely ruining other people’s … Othello, on the other hand, is always only what he is. However, Iago is, per usual, being manipulative here- the true meaning of his words ties back to his ego, to his self-absorption, and explains his pernicious conduct throughout the play. friends and spouse. Borderline personality disorder: Professor Peter Fonagy Though deeply unpleasant, Iago must have considerable intellect to devise and deploy his plans, and to convince the other characters of his various deceptions along the way.

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